Wednesday, August 20, 2014
Hachette vs Amazon - The Flip Side
Now for Part Two – The Flip Side.
I find it interesting that Hachette asked their authors not to talk about the dispute between Hachette and Amazon because Hachette wants to control the message – only have one voice for their side of the dispute. That’s actually a good idea, and I’m sure their lawyers are grateful considering they’re still in negotiations. Although the world is a cynical place and no doubt many see it as akin to a gag order, especially when Amazon has gone the exact opposite route and sent letters to its indy authors inviting all of them to put in their two cents – after carefully telling them what Amazon perceives the problem to be and telling them what talking points to address. Authors clearly cannot be trusted to think about these things for themselves. Ahem.
I posted a link to Amazon’s letter and, while Hachette has made their own statements, I’ll point out some authors aren’t siding with Amazon. Clearly some can think for themselves. Oops. Here’s a link to that letter. It’s worth looking at a list of what some notable authors are crying foul over.
Now, a point was made a week ago when the Authors United letter came out picking apart the argument citing that books from Amazon’s presses aren’t sold at all bookstores, so their authors are as much a victim as Hachette’s and the letter is hypocritical. No. It’s true that books from Amazon’s presses aren’t sold in all bookstores, but that’s a matter of distribution. When you choose a publisher, you are limited to that publisher’s distribution options. What the letter is referring to is a bookstore or retailer having the book on the shelf, having the customer available, and trying to convince the customer to purchase something else instead. That is what Amazon has been doing to some of Hachette’s authors because of this dispute.
Now Hachette, in their ever polite, understated way (which proves my point last week that they’re not living in today’s business world) says the dispute is over Amazon seeking more profit and market share at the expense of the authors, bookstores, and publishers. I hesitate to point this out, but they’re a business. You’re going to have to make a more forceful statement than that to get my attention.
And let’s loop back around to eBook pricing that Amazon says this is over. Specifically, let’s look at allegations of collusion. Amazon didn’t have to dig deep for that little gem, they were involved in the lawsuit, having brought the eBook pricing issue to the DOJ’s attention. Yes, the DOJ went after the Big Six (remember, it’s really only five) but the publishers were the sidekicks in this story, the ringleader was – Apple.
Do I believe the WSJ story? Yes, I always did. Sorry, Hachette, but the Big Six are dinosaurs in their thinking, I’ve been pretty clear on that point, and Apple is historically ruthless in theirs. Apple has been dragged into court many times before for their business practices, this isn’t a surprise. Hachette was one of the publishers who settled, by the way. They learned their lesson, paid their fine, it’s in the past.
By bringing it up, Amazon makes you not like them. Just like Authors United paints a bad picture of Amazon by telling you about what they’re doing to Hachette’s authors. It’s a PR war.
Who’s right? I don’t know everything that is in dispute between Hachette and Amazon. This is about more than eBook prices, or at least it better be. This is about control. In that context, I have to side with Hachette.
Hachette is, in a way, representing the Big Six, and by extension, the publishing industry. Publishing houses, and the extended support staff that surround them, provide direction and structure for the industry as a whole. Even indy authors benefit from it. Lessons and information are frustratingly unidirectional, it seems, but it’s better than not having the information at all. Hachette has a history with publishing. They need to update their thinking, but they understand why books are important to society. Quality is important to them, authors and readers mostly trust and understand it, even if there are growing pains at the moment.
Amazon is a business, period. Granted, they could do less to encourage a quality product, but it wouldn’t take a lot of effort to do so much more. Taking a few tips from competitors such as Smashwords, B&N, or major publishers, could help them and their authors offer a more consistent quality product for their customers. They’re so concerned with pumping out books, making it easy for anyone to publish almost anything and getting their 30-70% that they don’t care when their authors publish a book two chapters at a time and call it a series.
I publish with Amazon. I don’t want them in control of the publishing industry, I don’t want that future. They know how to do business, but not how to promote literacy or artistic expression. There’s no place for literary agents in an Amazon-based future. Brick and mortar stores, then libraries, will shrivel and many will die. Many already have, but more. We’ll lose a lot of young readers when there’s nowhere for them to go to browse and see what simply catches their eye. Children need the tactile feel of books to begin to love them. Toddlers like to touch things and be visually stimulated by the colors and pictures. They can’t get that online. They’ll graduate to eBooks later.
Amazon is a business and it has its place. That place is not directing the future of literature. Leave that to publishers.
Monday, August 11, 2014
(And Second...) Amazon & Hachette
And
here we are on part two. Part one of part two. Before I said 'first'
remember? Well, the second thing that dropped on my lap doesn’t directly
concern my books, but does concern me. Amazon reached out to its indy
authors regarding its ongoing dispute with Hachette. You can read a
similar letter here.
For those not intimate with publishing, Hachette is one of the major publishing houses that everyone lovingly refers to as the “Big Six.” Except now there’s five. They’re kind of dinosaurs and resistant to change, in evidence is that even the nickname doesn’t change. Part of the dispute is that their business practices and policies don’t change and Amazon takes exception to that.
In fairness, Amazon some of the time needs a swift kick to the backside themselves, but they’re better. Some companies (by this I mean the Big Six) have been in business so long, they’ve forgotten how to be flexible in their thinking. In today’s world, that’s not a good business plan.
Amazon's mad Hachette wants to charge too much for eBooks. The cost of eBooks is a long-standing debate. Why do they cost what they do? If you’re Stephen King, you could sell an eBook for $19.99 because you’re (ahem) Stephen King. However, Stephen King is cooler than that. On Amazon, Doctor Sleep is currently $13.36 and The Shining is $1.99. I even looked at Amazon’s Best seller list, and the most popular price point appears to be $4.99. Of course the prices vary, from $0.99 to $13.99 for a single book. (There's a reason for $4.99) Oh, the $13.99 book is HarperCollins, not Hachette, by the way.
Is cheaper better? It’s a balancing act. Free is a great deal, but it doesn’t demand respect from the reader. If they pay for the book, they will take the time to read it. Frequently readers download anything that's free and looks halfway interesting. It’s fine. It means if a writer doing a free promo weekend, and getting 5,000 downloads, can't really excited. It’s not really a success. Pricing the book at 99 cents for that same weekend and getting 500 sales? That’s a lot better. Pricing the book at $5.99 will not still get the same 500 sales though. Don’t be naïve. But maybe there's a good cover, good description, and the writer can get 150 sales a week at $5.99. If you raise the price to $7.99, sales will drop. If you lower the price, sales will rise.
The more novels the writer has, the longer he's been writing, the more books he's sold (not given away on promotions), and the more readers that are loyal to him all add up to the more he can charge for his books. It’s a basic of economics and the Big Six and Amazon are aware of it. Amazon addressed it in their letter, and I’ve found it to be true when I’ve played with my pricing. Still, there is a point to free or cheap eBooks. It encourages new readers to take a chance on an author or series they're not familiar with.
There are costs involved with bringing any book to the market. Yes, even eBooks. The writer puts in a lot of time. A lot. Some of us more than others. I will grant some writers are blessed with the ability to type like the wind, or pristine first copies. Others take a year to get that first rough draft finished and it’s something that needs to go through another year of revisions, alpha and beta readers, and five rounds of professional editing before its fit to be seen by a reader. There’s a range of skill level out there. Then you add in costs of formatting and artwork (if needed) and cover design.
At this point an eBook might be done, but a print copy isn’t by a long shot. Print copies need paper, forecasting, stocking, distribution, a whole other host of costs that eBooks simply don’t have to deal with. So why should an eBook cost anywhere near what a print copy does?
From a publisher’s perspective, they’re paying for the editing and artwork once, the formatting twice (you have to format eBooks and print differently, but it’s not rocket science and these are professionals), the cover twice (eBooks don’t need a spine or back and print needs a ‘bleed’ area), and the same marketing (if they bother which they rarely do now anyway). In other words, they’re paying a bit more to bring out two versions, but not much. For the most part, the cost is a fraction of a cent per book. Publishers tend not to give advances anymore, so where is all the overhead in the eBook they’re trying to recover by pricing it at $15 or $20?
It isn’t the overhead that’s making them price it high. It might not even be greed. Their statement is they don't want to 'devalue' books. It's still a book, so that doesn't wash. They need to grab a dictionary, I assume Hachette prints one. It could be that they don’t want to drive readers toward eBooks faster than they already are. It’s a losing battle, but I can see the Big Six thinking that way. As I said, they’re dinosaurs in their thinking.
If their readers are faced with buying the latest best-selling novel as a hardback at $20 or an eBook at $19.99, they’re going to choose what’s convenient for them. If they’re faced with the eBook at the reasonable price of $4.99, many would choose that, even if it’s not their preferred format. The publisher loses $15 they didn’t have to and it’s another nail in the coffin of print books – which the Big Six can’t afford.
Do I understand? Yes. Do I agree? No. I’m sorry boys, pull the Band-Aid off quickly. Embrace change and update your business model. As it is, you’re driving authors and readers to a plethora of independent publishing companies, some not very reputable (from an author standpoint). Corruption is gripping the publishing industry. Companies like Amazon and Smashwords make it too easy for people to self-publish with no quality control and standards are falling. Even your own editors aren’t as good as they used to be. Every time a poorly written or edited book comes out of a major publishing house and every time an indy author gets a movie deal or hits a national best seller list, it makes more authors and readers alike become more dismissive of the power the publishing houses used to have.
It’s probably too late. We should have had this talk a decade ago. So, damage control: put some younger, forward-thinking CEOs in charge. Purge the dead weight. It's a business, not a dynasty.
For those not intimate with publishing, Hachette is one of the major publishing houses that everyone lovingly refers to as the “Big Six.” Except now there’s five. They’re kind of dinosaurs and resistant to change, in evidence is that even the nickname doesn’t change. Part of the dispute is that their business practices and policies don’t change and Amazon takes exception to that.
In fairness, Amazon some of the time needs a swift kick to the backside themselves, but they’re better. Some companies (by this I mean the Big Six) have been in business so long, they’ve forgotten how to be flexible in their thinking. In today’s world, that’s not a good business plan.
Amazon's mad Hachette wants to charge too much for eBooks. The cost of eBooks is a long-standing debate. Why do they cost what they do? If you’re Stephen King, you could sell an eBook for $19.99 because you’re (ahem) Stephen King. However, Stephen King is cooler than that. On Amazon, Doctor Sleep is currently $13.36 and The Shining is $1.99. I even looked at Amazon’s Best seller list, and the most popular price point appears to be $4.99. Of course the prices vary, from $0.99 to $13.99 for a single book. (There's a reason for $4.99) Oh, the $13.99 book is HarperCollins, not Hachette, by the way.
Is cheaper better? It’s a balancing act. Free is a great deal, but it doesn’t demand respect from the reader. If they pay for the book, they will take the time to read it. Frequently readers download anything that's free and looks halfway interesting. It’s fine. It means if a writer doing a free promo weekend, and getting 5,000 downloads, can't really excited. It’s not really a success. Pricing the book at 99 cents for that same weekend and getting 500 sales? That’s a lot better. Pricing the book at $5.99 will not still get the same 500 sales though. Don’t be naïve. But maybe there's a good cover, good description, and the writer can get 150 sales a week at $5.99. If you raise the price to $7.99, sales will drop. If you lower the price, sales will rise.
The more novels the writer has, the longer he's been writing, the more books he's sold (not given away on promotions), and the more readers that are loyal to him all add up to the more he can charge for his books. It’s a basic of economics and the Big Six and Amazon are aware of it. Amazon addressed it in their letter, and I’ve found it to be true when I’ve played with my pricing. Still, there is a point to free or cheap eBooks. It encourages new readers to take a chance on an author or series they're not familiar with.
There are costs involved with bringing any book to the market. Yes, even eBooks. The writer puts in a lot of time. A lot. Some of us more than others. I will grant some writers are blessed with the ability to type like the wind, or pristine first copies. Others take a year to get that first rough draft finished and it’s something that needs to go through another year of revisions, alpha and beta readers, and five rounds of professional editing before its fit to be seen by a reader. There’s a range of skill level out there. Then you add in costs of formatting and artwork (if needed) and cover design.
At this point an eBook might be done, but a print copy isn’t by a long shot. Print copies need paper, forecasting, stocking, distribution, a whole other host of costs that eBooks simply don’t have to deal with. So why should an eBook cost anywhere near what a print copy does?
From a publisher’s perspective, they’re paying for the editing and artwork once, the formatting twice (you have to format eBooks and print differently, but it’s not rocket science and these are professionals), the cover twice (eBooks don’t need a spine or back and print needs a ‘bleed’ area), and the same marketing (if they bother which they rarely do now anyway). In other words, they’re paying a bit more to bring out two versions, but not much. For the most part, the cost is a fraction of a cent per book. Publishers tend not to give advances anymore, so where is all the overhead in the eBook they’re trying to recover by pricing it at $15 or $20?
It isn’t the overhead that’s making them price it high. It might not even be greed. Their statement is they don't want to 'devalue' books. It's still a book, so that doesn't wash. They need to grab a dictionary, I assume Hachette prints one. It could be that they don’t want to drive readers toward eBooks faster than they already are. It’s a losing battle, but I can see the Big Six thinking that way. As I said, they’re dinosaurs in their thinking.
If their readers are faced with buying the latest best-selling novel as a hardback at $20 or an eBook at $19.99, they’re going to choose what’s convenient for them. If they’re faced with the eBook at the reasonable price of $4.99, many would choose that, even if it’s not their preferred format. The publisher loses $15 they didn’t have to and it’s another nail in the coffin of print books – which the Big Six can’t afford.
Do I understand? Yes. Do I agree? No. I’m sorry boys, pull the Band-Aid off quickly. Embrace change and update your business model. As it is, you’re driving authors and readers to a plethora of independent publishing companies, some not very reputable (from an author standpoint). Corruption is gripping the publishing industry. Companies like Amazon and Smashwords make it too easy for people to self-publish with no quality control and standards are falling. Even your own editors aren’t as good as they used to be. Every time a poorly written or edited book comes out of a major publishing house and every time an indy author gets a movie deal or hits a national best seller list, it makes more authors and readers alike become more dismissive of the power the publishing houses used to have.
It’s probably too late. We should have had this talk a decade ago. So, damage control: put some younger, forward-thinking CEOs in charge. Purge the dead weight. It's a business, not a dynasty.
Catching Up (1)
I’ve been remiss in my blogging and I apologize for that. I
have gotten more than a few things done, however. First, in the realm of my own
novels, I did a soft launch of Make A Wish! the latest in the Genie in Your Pocket Collection. It’s not really a
sequel to Be Careful What You Wish For, but
it does have guest appearances and answer questions readers of the first novel
may have. To celebrate that, I lowered the price of Be Careful What You Wish For to free on Smashwords. It’s also an
experiment. I’m curious about how long it takes to push that update to Barnes
& Noble and if Amazon will ever match
it. You see they used to say they match prices. Then they say they can't match
every price reported, but they try to ensure their prices remain competitive. I’ve
had AKA Lexi Frost at Smashwords and
Barnes & Noble free for weeks, and told Amazon, and they still won’t price
match. As an author, I can’t set the price below 99 cents. If a book isn’t
exclusive with Amazon, it doesn’t have free promotion days. This is the only
way to do promotions – when they let us – or have free books.
Speaking of Lexi Frost, Never
Ready is out in paperback now and Transitions
will be shortly. It’s a relief to get that done. I’m also ahead of schedule
with Transitions’ sequel, In Her Sights. Originally I was planning
on releasing that spring/summer of 2015, but I may actually make it this
winter. Wow. And lastly in my books, I’ve made a big breakthrough on getting
the sequel out for Chrysanthemum also.
That is a whole other headache and conversation. Another time.
There is a slightly longer rant to come. It's also more meaningful. Be warned.
Monday, July 21, 2014
The Cat is Back
Sunday afternoon, The Girl went out
for a walk and came home with a cat. Our cat. The one who’s been missing for
several days. I was about ready to just call it, although I wouldn’t say that. It would upset the kids. Well,
it would upset The Girl. Princess was
chipped and had a collar and tags, so it was difficult to imagine nothing bad
had happened without us being notified. We even checked to be sure animal control
scanned cats when retrieved, in any condition, and called the owners if kitty
was chipped. And we made sure they had our information on file.
Having a girl run in joyously
declaring the good news at a pitch that made it impossible to understand her
wasn’t how I saw this drama ending. Everyone’s happy again, yay! Even Darth
Jingles stepped aside and let Princess eat and drink her fill, and didn’t hiss
at her until several hours later. Yay?
Then Princess
proceeded to tell us, as Siamese cats are prone to doing, all about her
adventure. She meowed as if she were carrying on a conversation for over an
hour. I’m not kidding. Sadly, by the time she’d finished, we still didn’t know
what happened. Hubby has a theory she got trapped in the garage for someone who
took a couple days off work and went camping. Then she got out when they came
home. It’s the right time of year and there are a lot of RVs parked behind
fences around here so it makes sense. We’re
going to go with that. The Boy’s “a fox got her” theory clearly didn’t hold up.
Although he was quick to point out she’s got a lot more fur than other cats we’ve
had (not long, just thick), and that
fox would be coughing up a hairball, so maybe the fox passed on the ordeal.
What happened doesn’t really
matter, it’s that she’s back that counts. Princess was very snuggly the rest of
the day and almost constantly underfoot. When bedtime rolled around, she
crashed on Hubby’s briefcase – her traditional spot. Then, at three am, I woke
to a cat fight in the dining room. Everything is back to normal.
Friday, July 18, 2014
Princess is MIA. Jingles is Suspect.
It's been a crazy week, so just a quick note: Princess is MIA.
Sigh. Darth Jingles knows the rules about staying out after dark, yet she does it anyway. She’s a little black cat, pretty small really. She’s not a hunter, at least she doesn’t bring any “gifts” home. Okay, once, and to be honest it probably wasn’t greeted with the enthusiasm she probably felt it deserved.
In contrast, Princess is noticeably bigger and quite a bit heavier than Jingles. She is definitely a hunter, and clearly a survivor because she managed as a stray before adopting the cushy house-cat lifestyle. Oddly, she didn’t venture out much. Only about a half an hour at a time and didn’t leave the yard.
I think I’ve mentioned the cats don’t get along. They bait each other. I’m sort of wondering about this. First Jingles decides to stay out all night, again. She’s developing a bad habit. We know several times she’s been caught in the neighbor’s garage because we heard her meows when we call her. There may be another garage she frequently spends the night in, we’re not sure.
That this little featherweight can survive through the night might have sent a message to Princess that night was playtime outside. This clearly overrides our efforts to get them both in starting around dinner time. Princess didn't grow up being told she was going to be eaten by the neighborhood fox, although I've tried to get her caught up on the rumors.
So Princess didn’t come home last night. Or the night before. Everyone in the cul de sac knows we have a new Siamese, and she has a collar that is eerily similar to Darth Jingles’ with bells and tags and everything.
The Girl made rounds yesterday and no one had seen her. We tried to rouse The Boy to ride his bike around, but he was busy having his days and nights reversed and we couldn’t get him awake enough. Hubby went to the store yesterday and (morbidly) took the side streets and looked for evidence of a mishap. Nothing. I called her this morning. Nothing.
Jingles looks more smug than alarmed. That makes me suspicious.
Sunday, July 13, 2014
A Caffeine-Induced Commitment
This week in writing . . . I haven’t done much. A little here and
there on the fourth book in The Thousand Words Series, and a bit of
revision on A’gust because I really need to work on that even more than Dev’s story. The problem with A’gust is
that I know how to fix it, it’s just daunting. I need to just put on my
big girl panties and do it, but I’ll take any distraction as an excuse
and I have been for years.
Now my distraction is three books are coming up for quarterly renewal on Amazon (for exclusivity), so it’s the perfect time to list them on Smashwords and make them available in other formats. Do I have to do it now? No. There are perks to exclusivity with Amazon and I’ve put it off before. It’s not really fair to limit myself to people with a Kindle. I personally format my books to ePub for friends because I’m not available in the Barnes & Noble store. How pathetic is that? Or nice. Yeah, I’m super nice.
I’m still fiddling with final details of launching Transitions, so I reasonably could put off the Smashwords thing again. And I had a lot of other things going on that I’m not going to go into that just wore me out. (I’ve slept almost three days straight and I’m unbelievable sore, but I’m able to type again.) Honestly, I wasn’t sure I was going to be able to launch Transitions before the end of Never Ready’s promotional time, but I think I’ll be okay. I’ve grown terribly fond of Monster’s Irish Cream Java energy drinks.
With that confession, I’m making the decision to play Wonder Woman. I will have the promo on Never Ready go ahead as planned (July 14 through 18th) and I will release Transitions before that promotion ends. The eBook version, not the print version. That will have to wait.
I will release the print version of Never Ready by the end of the month. After all, I’m just waiting to get the proof on that so I can look it over, it should be fine. (I think I just cursed myself on that.) And I’ll get to Transitions next month.
I will reformat Be Careful What You Wish For, Chrysanthemum, and AKA Lexi Frost for Smashwords. And I will research the pricing tiers and lower their prices, so yay! By doing that on Smashwords, Amazon has to match the price, so . . . you know. There are repercussions. I have enough books published on Amazon now that it should be fine. I’ll look into that. (Adds to growing list of things to do in July.)
Then I’ll breathe a sigh of relief and I will get Make A Wish! released. After that’s done, I have no excuses. I’ve put off dealing with A’gust long enough. Years. See? I’m a world-class procrastinator when I want to be. By putting this down in writing, I’m making a commitment. And The Internet Is Eternal. (Imagine that was in some ethereal, disembodied voice floating over your shoulder.)
Why Smashwords? Because they distribute to Apple iBooks, Barnes and Noble, Kobo, and Sony, among others. And they handle all the major formats if someone wants to go directly to them instead of individual stores. Yes, you can download Mobi (Kindle format) there instead of going to Amazon if you want to. This is going to really mess up tracking. And I’ll have to change the links on my website. Hmm. More things to add to my list. Just peachy.
Now my distraction is three books are coming up for quarterly renewal on Amazon (for exclusivity), so it’s the perfect time to list them on Smashwords and make them available in other formats. Do I have to do it now? No. There are perks to exclusivity with Amazon and I’ve put it off before. It’s not really fair to limit myself to people with a Kindle. I personally format my books to ePub for friends because I’m not available in the Barnes & Noble store. How pathetic is that? Or nice. Yeah, I’m super nice.
I’m still fiddling with final details of launching Transitions, so I reasonably could put off the Smashwords thing again. And I had a lot of other things going on that I’m not going to go into that just wore me out. (I’ve slept almost three days straight and I’m unbelievable sore, but I’m able to type again.) Honestly, I wasn’t sure I was going to be able to launch Transitions before the end of Never Ready’s promotional time, but I think I’ll be okay. I’ve grown terribly fond of Monster’s Irish Cream Java energy drinks.
With that confession, I’m making the decision to play Wonder Woman. I will have the promo on Never Ready go ahead as planned (July 14 through 18th) and I will release Transitions before that promotion ends. The eBook version, not the print version. That will have to wait.
I will release the print version of Never Ready by the end of the month. After all, I’m just waiting to get the proof on that so I can look it over, it should be fine. (I think I just cursed myself on that.) And I’ll get to Transitions next month.
I will reformat Be Careful What You Wish For, Chrysanthemum, and AKA Lexi Frost for Smashwords. And I will research the pricing tiers and lower their prices, so yay! By doing that on Smashwords, Amazon has to match the price, so . . . you know. There are repercussions. I have enough books published on Amazon now that it should be fine. I’ll look into that. (Adds to growing list of things to do in July.)
Then I’ll breathe a sigh of relief and I will get Make A Wish! released. After that’s done, I have no excuses. I’ve put off dealing with A’gust long enough. Years. See? I’m a world-class procrastinator when I want to be. By putting this down in writing, I’m making a commitment. And The Internet Is Eternal. (Imagine that was in some ethereal, disembodied voice floating over your shoulder.)
Why Smashwords? Because they distribute to Apple iBooks, Barnes and Noble, Kobo, and Sony, among others. And they handle all the major formats if someone wants to go directly to them instead of individual stores. Yes, you can download Mobi (Kindle format) there instead of going to Amazon if you want to. This is going to really mess up tracking. And I’ll have to change the links on my website. Hmm. More things to add to my list. Just peachy.
Thursday, July 3, 2014
Cat Update: They're Fine, I'm Not
Summer must really suck if you’re a
black cat. Temperatures creep upward, but you’re still stuck in a fur coat that
soaks up the sun. Darth Jingles usually enjoys her outdoor adventures, not
coming home until well after dark. (Tales of the local cat-eating foxes don’t
scare her!) When the weather started getting warmer, our delicate little
sweetheart decided coming home around lunch time was fine. Air conditioning is
where it’s at.
Then we got Princess, and Jingles didn’t want to play inside anymore. First, we had the nerve to bring another cat into her domain. Plus Princess wore a cone for over a week, which just freaked Jingles out. Now that the cone is gone, they’re back to hissing at each other and making the kids break up cat fights. Luckily, Jingles has taken to sleeping with her boy every night now, behind a closed door. That doesn’t mean there’s less drama.
The other night, Hubby and I were rudely awakened by shattering glass at about three in the morning. The Boy was up playing video games, which is a rant for another time, so he was the first on the scene. The previously mentioned teen who’s in a lot of trouble by this point left his midnight snack leftovers on the kitchen table and Princess decided to help herself to leftover pepperoni pizza. That cat will eat anything.
Fine, we cleaned it up, sent The Boy to bed, took the cat with us, and drama over. No. Princess has taken to cornering Jingles under our bed. Why? The obvious answer is ‘why not?’ but I don’t think that’s it. Jingles has a basket in my bedroom window that she likes to snuggle up in and stare outside. Princess didn’t take any interest in the basket until a couple of days ago, when she suddenly decided that’s where she wanted to nap.
Not to be out-annoyed, Jingles took up residence on top of Hubby’s brief case, lying on a chest at the foot of the bed, where Princess sleeps nearly every night. Princess started this territorial nonsense, but didn’t care for Jingles one-upping her. That’s when the cornering under the bed started.
Have you ever heard a cat fight under your bed? How about at four am? Am
I painting a picture of the complete lack of peace and quiet that is my house
right now?
The Boy is forbidden from sneaking downstairs in the wee hours of the morning to play video games with his friends (who also have no concept of time of day) because it almost always releases Jingles into the general population. Jingles doesn’t pick the fights as near as we can tell, but she’s not very good about avoiding them either. It’s like she makes a rude-kitty-gesture then runs for it, leaving Princess to get scolded for chasing her.
Princess is still learning the rules, and she’s being given a lot of leeway simply because she’s a pretty cat, and she thinks she’s a dog. I love neurotic in my animals. I’m serious. She begs, she walks on a leash better than Jingles – who we trained to since she was a kitten, she plays fetch – and brings back the ball! Both cats love straws, but Jingles loses interest once the paper wrapper is gone, and only carries them by the end. Princess doesn’t care about the paper, she just likes carrying a straw around in her mouth – from the middle, like a bone. No reports of her burying them in the litter-box yet. She’ll get there.
Both cats are two years old, essentially teenagers in kitty-years. Except I already have two human teenagers. Now I also have two feline teenagers. Four teens . . . it feels like more somehow. I’m starting to feel like I belong in one of my own books.
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